The GUILD

ABOUT

A unique innovation at the 1933 conference was a conscious effort to add a music component to the growing conference for ministers and clergy. In 1933, the Ministers Conference listed Dr. John Finley Williamson of the Westminster Choir School, a leading authority on church music, served as the director of a session for Church Music Directors. The Chaplain reported: “This [addition] aroused so much interest that there have been requests that we provide in future conferences for the attendance of church music directors”. As a result of such an overwhelmingly enthusiastic response to the expansion and enrichment of the ministers conference, the program for 1934 included an official welcome to the choir directors, a schedule of their meetings, and the announcement that Mr. John Milton Kelley, Assistant Director of the Westminster Choir School would direct the program.

The Choir Directors and Organists Guild was added to the yearly gathering to develop the music ministry of the churches along with the training of clergy for greater service to the church and community. The Rev. Samuel A. Devan, university chaplain from 1930-1940, wrote about the integral and invaluable addition to the conference as it takes on the special work of church music particularly in the African American context. To this date, the Hampton University Ministers Conference-Choir Directors & Organists Guild Workshop remains the oldest of the conferences founded and sustained by colleges and universities.

2026 GUILD PRESENTERS

PLENARY PRESENTERS

Dr. Tammy Kernodle

Heritage and History: Reclaiming the Radical Nature of Black Sound and the Black Sacred Song

Rev. Stacy Dandridge, DMin

Sacred Worship in the Age of AI: Guarding the Soul of the Black Church

Dr. Emorja Roberson

Donald Lawrence: The Sonic Architecture of the Gospel Story

APPLIED SESSION PRESENTERS

Dr. Frances Fonza

Conducting Masterclass

Min. Rodney Whitley

Effective Worship Planning with Planning Center™ & ProPresenter™

Min. Leon C. Lewis

Singing & Serving Together: Praise Teams & Choirs in Worship

Carolyn Tribune Brewer

Playing & Serving Together: Techniques for Church Band Musician

Natalie Ragins

Technology #101: Music Apps & Software to Enhance Corporate Worship

Prof. Jaron M. LeGrair

Vocal Intelligence: A Masterclass

Justin Savage

Contemporary Vocal Arranging & Rehearsal Techniques

OUR TEAM

2026 CHOIR GUILD OFFICERS

Prof. Omar Dickenson
Prof. Omar Dickenson Director, Conference Music
Rev. Dr. Kathryn Grier
Rev. Dr. Kathryn Grier President
Mr. Dexteryl Taylor
Mr. Dexteryl Taylor Vice President
Rev. Carlos Younger
Rev. Carlos Younger Treasurer
Ms. Ann B. McInnis
Ms. Ann B. McInnis Secretary
Elder Babette Mariner
Elder Babette Mariner Assistant Secretary

Dr. Tammy Kernodle

Heritage and History: Reclaiming the Radical Nature of Black Sound and the Black Sacred Song

Description: In 2025, during a discussion reviewing the current state of contemporary gospel music, producer and manager Norman Gyamfi stated that the aesthetic of Black vocality, theological perspective, and lived experience conveyed in traditional gospel songs and hymns was no longer relevant to modern Black worshippers and the contemporary Church. Gyamfi’s claims, although problematic, highlight an often unspoken reality—how ritualized worship practices, meaning those that shape our Sunday worship experience, no longer truly reflect cultural practices or the intergenerational dynamics of our congregations. Commercial trends and a jam-band environment now frame our worship experience. This raises many questions. Do we really serve the spiritual needs of all of our congregants with our musical choices? What narratives are we promoting through the songs we sing on Sunday morning? Current trends often reflect the absence of knowledge about the symbiotic relationship that has existed between Black ritualized practice, the Black lived experience, and Black sacrality (spiritual consciousness). However, we can no longer use this as an excuse. Without timely intervention, we risk, within a few generations, the loss of cultural practice and heritage. This plenary explores the relationship that has existed between Black sacrality, sound, and song, and advances strategies for reclaiming song repertoires that served as the aquifer for Black liberation and resistance.

Rev. Stacy Dandridge, DMin

Sacred Worship in the Age of AI: Guarding the Soul of the Black Church

Artificial intelligence is reshaping how we create, communicate, and lead across society, yet many church leaders remain uncertain about what it is, how it works, and what it means for worship. This plenary offers an accessible introduction to AI and explores its social, ethical, and environmental implications. Together, we will name myths, acknowledge concerns, and examine both the risks and possibilities it presents for Black corporate worship & sacred music.

Dr. Emorja Roberson

Donald Lawrence: The Sonic Architecture of the Gospel Story

Donald Lawrence, a contemporary gospel artist, bears a pedagogical approach that communicates the gospel story through the interconnectedness of sound, gesture, and dialect, demonstrated through the African practice of call-and-response.

This plenary session explores the innovative musicianship and global influence of contemporary gospel artist Donald Lawrence, whose work expands the scope of African American sacred music through cross-cultural collaborations, choral pedagogy, and digital dissemination. Together, we will consider how Lawrence’s artistry not only shapes the sonic and visual dimensions of gospel performance but also models how digital platforms now function as contemporary spaces for transmitting and transforming the gospel story worldwide.

DR. FRANCES FONZA

Conducting Masterclass

Lead the Sound: An Interactive Conducting Experience

Collaborate, explore, and grow in this engaging, hands-on group masterclass experience. Participants will have the opportunity to conduct, observe peers, and receive feedback in a supportive, interactive setting. Experience expressive gesture and interpretive choices in real time while deepening your understanding of effective ensemble leadership. Gain practical strategies for shaping musical phrasing, enhancing communication, and inspiring artistry—all through dynamic live demonstration and shared learning.

MIN. RODNEY WHITLEY

Effective Worship Planning with Planning Center™ & ProPresenter™

This workshop equips worship and arts leaders to streamline service planning using Planning Center™ and ProPresenter™. Participants will learn how to coordinate teams, manage schedules, and communicate effectively through Planning Center, while leveraging ProPresenter for seamless media playback and hands-free worship experiences. The session focuses on integrating both platforms to enhance organization, collaboration, and execution of worship services without reliance on printed materials.

MIN. LEON C. LEWIS

Singing & Serving Together: Praise Teams & Choirs in Worship

This session explores Serving & Singing Together by examining how choirs and praise teams function as a unified worship ministry. Participants will also explore principles for developing a philosophy of worship, understanding the role of music and fine arts in shaping the worship experience, and clarifying the distinct and shared functions of choirs and praise teams. Additionally, the session also addresses collaboration, leadership dynamics, and practical strategies for fostering unity, balance, and effective ministry in corporate worship. Let’s Sing & Serve Together!

CAROLYN TRIBUNE BREWER

Playing & Serving Together: Techniques for Church Band Musicians

Description: In this class, we will review the foundations of Gospel ensemble playing and the principles of listening and awareness within the context of the Worship Service. Attendees will understand the respective roles of instrumentation within an ensemble, and how these roles and concepts combine to inform collaborative playing. They will learn techniques for effective use of space, syncopation and harmony by performing together in class. Most importantly, attendees will realize their role as servants, individually and collectively.

NATALIE RAGINS

Technology #101: Music Apps & Software to Enhance Corporate Worship

This session will equip musicians, worship leaders, and ministry teams with practical tools to confidently use drum loops, stems, and music apps in today’s worship setting. Discover how technology can enhance (not replace) your musical expression and ministry impact. Join us for a “hands-on”, accessible, and transformative learning experience.

PROFESSOR JARON M. LEGRAIR

Vocal Intelligence: A Masterclass

Most voice training emphasizes instruction over application; this session inverts that approach. Through guided video analysis and open discussion, participants will develop critical listening and vocal skills they can apply directly to their own voice use. Grounded in the principles of intentional voice use, the session concludes with a live masterclass and a guided forum discussion.

JUSTIN SAVAGE

Excellence Has No Excuse – Contemporary Vocal Arranging and Rehearsal Techniques
 
Great choirs aren’t built on big budgets — they’re built on smart decisions. What if your ensemble’s best Sunday is still ahead of you, and you already have everything you need to get there? This session explores contemporary vocal arranging and modern rehearsal techniques designed to enhance your sound, streamline your process, and help any choir — at any level — present excellence. Come ready to rethink what’s possible.  
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