Opening the Vault: Multiplicity in Motion

Exploration of how a single vision unfolds across several works

 

Multiplicity in Motion invites viewers to explore the depth and breadth of a single artistic vision expressed through multiple works.  This exhibition challenges the notion of singularity by presenting a series of pieces that, while distinct, are interconnected through the artist’s evolving ideas, techniques, and perspectives.  Each work becomes a lens into a different facet of creativity – revealing how repetition, variation , and contrast can coexist within one voice.  Together, these works form a dialogue that transcends individual pieces, offering a richer understanding of the artist’s practice and the complexity of interpretation.

The museum acquires objects through gifts (donations and bequests) and purchase.  Much of the works in this exhibition have been acquired through donations from various individuals.  For instance,  A. B. Jackson, who was a noted local artist, had artwork acquired by select residents in Norfolk who have since donated his works to us. The three Romare Bearden pieces included were collected by one donor, Attorney Michael Todd. A resident of Charlotte, North Carolina, Todd has donated several prize works from his collection in honor of his nephews, both Hampton graduates. Other pieces in the exhibition have either come from the artists directly or other friends of the Museum.  The Countee Cullen Collection consists of works collected by Cullen and his wife that were purchased by the museum as an acquisition.

Artists in the exhibition have many styles and formats and often develop series or themes that they have built on through the years.  You may recognize some of the pieces but placed in context with more than one hopefully you gain a different perspective on what you experience.

This exhibition is now showing and is located in the new wing of the museum.

Picturing Freedom: Harriet Tubman and the Combahee River Raid

April 21 – August 28, 2026

Organized by the Gibbes Museum of Art, Charleston, SC, this exhibition is inspired by Dr. Edda Fields-Black’s 2025 Pulitzer Prize Award-Winning Book, Combee: Harriet Tubman, The Combahee River Raid, and Black Freedom During the Civil War, and features photographs by renowned environmental photographer J. Henry Fair alongside paintings, sculpture, and other works by 20th and 21st century American artists that visually explore the life and legacy of Harriet Tubman and the Combahee River Raid.

The multi-media exhibition features over forty-five works to include the Hampton University Museum’s Harriet Tubman Series by Jacob Lawrence, material culture; and, HU 1978 graduate, Ronald Daise, who is featured in a short film as Minus Hamilton reenacting that historic night of freedom. The exhibition is guest-curated by Vanessa Thaxton-Ward, Ph. D., Director of the Hampton University Museum. The exhibition opened in Charleston May 23 – October 5, 2025.

Many know about Tubman’s accomplishments with the Underground Railroad, but few know about her work in South Carolina where she led soldiers to free over seven hundred enslaved people and few know about her work at Fort Monroe, Virginia. In 1865, a few years before Hampton Normal and Industrial Institute was founded Harriet Tubman spent about three months documenting and aiding the patients at the “Colored Hospital.” She was assigned by the Surgeon General to stay and work at Fort Monroe but there are no records to indicate that the appointment was ever officially made. As we commemorate VA 250, the American Revolution we look to educate and celebrate the “Road to Freedom” for people of color.

Henry Ossawa Tanner Early Masterworks

by Lorence “Brylan” Clarkson-White

Henry Ossawa Tanner

Before Henry Ossawa Tanner became world-famous for his incredible religious paintings that often incorporated dramatic glowing light, he was outdoors painting nature scenes. These early paintings deserve way more attention than they get. Two of these early pieces, Fauna and Flora, give us a glimpse of Tanner’s future creations to come. They are remarkable when you think about the fact that he was just beginning his journey as an artist.

Fauna, 1878 – 79, oil on canvas

Fauna is the first time we know of Tanner painting animals. By this point, he’d gotten confident with his brush, and he was really trying to make his mark as an animal and landscape painter. What’s remarkable about this piece is how peaceful it feels. The deer and their surroundings are just completely in sync with each other. You can tell it’s an early work because the brushstrokes are a little stiff and the anatomy isn’t quite perfect, but honestly, that is part of what makes it interesting.

What really stands out about this painting is the light. Even this early in his career, Tanner was obsessed with how light works. He used rich browns and greens from the forest floor to create this soft reflected glow that later in his career became his trademark. When you look at Fauna, you feel like you’re right there in the woods. Everything’s quiet and you’re just observing the world in its natural state. In this painting Tanner works out his whole approach to light, tone and atmosphere. These are the skills that would capture people’s attention in later masterpieces like The Banjo Lesson and Daniel in the Lion’s Den.

Flora, ca. 1880, oil on canvas

Fauna should be viewed along with its companion piece, Flora. Flora is all about the depth of the forest in upstate New York. Tanner creates massive trees that make you feel small, mossy rocks with crazy texture and a dramatic dance between shadows and sunlight breaking through canopy. It’s less about creatures and more about the raw power and beauty of the landscape itself.

Tanner painted these two paintings while convalescing in the Adirondack Mountains. The mountains gave him peace and clearly a ton of inspiration. While the titles don’t name any specific place, you can feel that rugged northeastern wilderness in every brushstroke.

These two paintings capture an important moment in Tanner’s career. Tanner is a young black American artist finding his voice, experimenting with his style and developing the techniques that would eventually make him internationally celebrated. They are snapshots of an artist on the rise; someone who’s already got something special but is still figuring things out. Fauna and Flora are both on display at the Hampton University Museum.

Lorence “Brylan” Clarkson-White

Lorence is a junior entrepreneurship major with a minor in communications at Hampton University, from Atlanta, GA. He is passionate about media, technology, and business development. His interests include social media innovation, music management, helping creatives and entrepreneurs grow their brands.

2025 Fall Newsletter

31st Annual Holiday and Kwanzaa Marketplace

Join us from Thursday, December 4, 2025 to Saturday, December 6, 2025 for the 31st Annual Holiday and Kwanzaa Marketplace.

Beginning at 10 am each day, purchase holiday and Kwanzaa gifts from the Laurel Tucker Duplessis Museum Gift Shop, which specializes in African, African American and other gift items. Select vendors from the Hampton Roads community will be available with hand crafted items including jewelry, soaps, candles and African arts.

Admission to the 31st Annual Holiday & Kwanzaa Marketplace is free. Guests are encouraged to donate toiletries for those experiencing homelessness. Baskets will be available during the Marketplace for donated items.

 

Thursday, December 4, 2025

MARKETPLACE 10 am – 4 pm

Hosted by Delta Sigma Theta Sorority Inc., Hampton Alumnae Chapter

ACTIVITIES

  • 12 pm – 1 pm Quarter Century Club Luncheon (Invitation Only)
  • 1 pm History of Kwanzaa with Brother Larry Gibson
  • 2 pm – 3 pm “Tis the Season for the Ancestors” Fashion Show with Japharii Jones (757 Black Lives Matter)

 

Friday, December 5, 2025

MARKETPLACE  10 am – 5:30 pm

Hosted by Hampton chapter of the LINKS, Inc., Hampton Chapter

ACTIVITIES

  • 12 pm History of Kwanzaa with Brother Larry Gibson
  • 1 pm Steppin’ With Purpose with April Mason

EVENING CELEBRATION 5:30 pm – 7 pm

  • 5:00 pm History of Kwanzaa with Brother Larry Gibson
  • 5:30 pm – 6:00 pm Holiday Performance by the Hampton University Child Development Center directed by Joy Hernandez
  • 6:00 pm – 7:00 pm Open Hearts, Open Mic, a collaborative effort between the Women’s and Men’s Caucus of the Hampton University Student Government Association. Guests can write letters to individuals impacted by homelessness, wishing them a happy holiday season

 

Saturday, December 6, 2025

MARKETPLACE 10 am – 4 pm

ACTIVITIES

  • 10 am – 11 am Holiday Art Workshop with The Adams Ladies (RSVP required 757.727.5308)
  • 11 am History of Kwanzaa with Brother Larry Gibson
  • 1 pm – 2 pm Steppin’ with Purpose with April Mason
  • 2 pm – 3 pm Holiday Art Workshop with The Adams Ladies (RSVP required 757.727.5308)

 

All programs are subject to change.

Download the Kwanzaa Marketplace schedule pdf.

 

The Hampton University Museum is conveniently located just off I-64. Take exit #267 and follow signs to the Museum. For additional information, please contact the Museum at 757.727.5308.

On Loan at the Tate

Clara Ugbodaga-Ngu (1921-1996)
Yoruba Palm Wine Seller
Oil on canvas
Clara Ugbodaga-Ngu’s Yoruba Palm Wine Seller is one of four paintings now on display at Tate Modern in London, courtesy of HU Museum. As part of Tate’s Nigerian Modernism exhibition, HU Museum has also placed on loan two paintings by Akinola Lasekan and a painting by Simon Okeke. The works are from HU Museum’s Modern African collection donated in 1967 from the Harmon Foundation.
Akinola Lasekan (1916-1972)
Yoruba Acrobatic Dance
Oil on canvas
Akinola Lasekan (1916-1972)
Sacrifice to the Sky-God
Oil on canvas
Simon Okeke (1937-1969)
Heads of Two Women
Watercolor with abrasion on paper