Sculpting Legacy: Hampton Alumnus Kevin Pullen Donates Bronze Bust Honoring Pioneering Journalist and Turn-of-the-Century Alumnus Robert Sengstacke Abbott
At Hampton University, the echoes of the past continue to shape the future.
Kevin Pullen ’77, an acclaimed sculptor and proud Hampton alumnus, breathed new life into one of Hampton’s most impactful sons—Robert Sengstacke Abbott, Class of 1889—by gifting a stunning bronze bust to the Hampton University Museum. Abbott, the visionary founder of the Chicago Defender, is celebrated for using the power of the press to ignite social change and champion African American resilience.

Forged with care, each movement of Pullen’s hands across the molten bronze was a deliberate tribute to Abbott’s unyielding spirit. Sculpting with bronze is both an art and a physical test: the metal, alive with heat, demands precision, patience, and profound respect. As Pullen shaped the contours of Abbott’s likeness and the determined faces of his newsboys, he felt the weight of history—cooling into permanence beneath his fingers.
“Working with bronze is like shaping a heartbeat that refuses to stop,” said Pullen. “The Defender gave life to so many dreams, and I wanted this piece to capture that eternal pulse.”
Born on St. Simons Island, Georgia, of Gullah Geechee descent, Abbott turned rejection into revolution. Despite countless barriers—including systemic racism that closed opportunities to him as a trained attorney—Abbott found another way to fight injustice: through journalism. With just 25 cents and an unshakable belief in his mission, he launched the Chicago Defender from a kitchen table.
By the 1920s, the Defender boasted over 200,000 readers, becoming a trusted source of news and community for Black Americans. Instrumental to its success were the Pullman porters—dignified, sharp-dressed African American men who worked long, grueling hours aboard luxury railroad cars. Beyond carrying luggage and attending to passengers, these porters carried something even more powerful: the words of freedom. Hidden in satchels and suitcases, copies of the Defender traveled the rail lines of America’s South, smuggling hope, courage, and a vision of a better life.
Abbott’s call to join the Great Migration, daring southern Black families to move north in search of opportunity, resonated deeply. His paper didn’t just report history—it moved it.
“We’re deeply honored to serve as the “home” of this lasting tribute honoring Robert Sengstacke Abbott, a leading champion of press freedom and truth-telling,” said Julia Wilson, Dean of the Scripps Howard School of Journalism and Communications. “His legacy reminds our students that journalism isn’t just about reporting facts—it’s about telling truthful stories that impact our communities and help move our world forward. It reaffirms our purpose to remain mindful of the powerful tool we have in journalism and the critical importance of press freedom.”

The bronze bust now anchors the intersecting halls of the Scripps Howard School of Journalism and Communications building, an enduring reminder to the next generation of storytellers that power is found in both words and will. The piece also enriches the Hampton University Museum’s extraordinary collection, the oldest African American museum in the nation.
“Kevin Pullen’s gift is a bridge across generations,” said Dr. Vanessa Thaxton-Ward, Director of the Hampton University Museum. “Abbott’s life and the art that now commemorates it inspires our students to see that history is not behind them. It’s alive in the work they do every day.”
Pullen’s artistry and Abbott’s journalism share a kindred mission: to tell the untold, to defy silence, and to transform hardship into hope.
“Anything Abbott did was a product of creative leadership,” said Pullen. “He used his platform to push back against injustice. I use my sculptures to do the same – telling the stories that must be remembered.”
The unveiling coincided with the Scripps School’s State of the Media event on April 23, a powerful gathering where leaders and students alike explored how journalism must adapt to continue to be an impactful modality of speaking truth to power: confronting today’s challenges with clarity, courage, and conviction.
At Hampton, history isn’t merely preserved—it’s lived, honored, and carried forward, one story—and one sculpture—at a time.